Santo Niño de Cebú ("Holy Child of Cebu") is a Roman Catholic figure of the Child Jesus highly similar to the Infant Jesus of Prague. Cebu City is thus known as the "Cradle of Christianity in The Far East".
A few years ago I had the privilege of visiting the Basilica of San
Agustin in Cebu in order to Venerate The Sacred Image of Santo Nino De
Cebu. Through devotion to Santo Nino may the members of the Santo Nino
De Cebu Association illuminate our City of San Francisco with the Light
of the Peace and Love of the Christ Child".
History
In April 1521, Portuguese explorer Ferdinand Magellan, in the service of Charles I of Spain, arrived in Cebu during his voyage to find a westward route to the Indies.
He persuaded Rajah Humabon and his wife Humamay, to pledge their allegiance with Spain. They were later baptized into the Catholic faith, taking the Christian
names Carlos and Juana. Magellan presented the Santo Niño to the
newly-baptized Queen Juana as a symbol of the alliance. To her husband
Carlos, Magellan presented the bust of the "Ecce Homo", or the depiction
of Christ before Pontius Pilate. He gave an image of Our Lady to the
natives who were later baptized with their rulers. However, Magellan
died later on April 27, 1521 in the battle that took place in Mactan,
leaving the image behind. In its new environment, among sun-loving
people, the image stopped being a Christian symbol. After some vain
efforts on the part of the natives to destroy it, as legends say, it
endured its new setting and prevailed to become a pagan idol. The
Cebuano natives revered the Image of Santo Niño as Bathala. They most
probably blessed the image with oil or offered sacrifices to the Santo
Niño while invoking for His assistance in times of difficulties, reliefs
in their necessities or consolations in their adversities.
Writer Nick Joaquin in his 1980 paper delivered before the Cebuanos,
he talked about these years after the Magellan men left and before the
next Spanish expedition came under Miguel Lopez de Legazpi – all 44
unaccounted years. Joaquin said that “during that strange interlude… the
wondrous miracle happened: we accepted the Santo Niño as part of our
land, part of our culture, part of our history. During those 44 years
when the Cross had vanished from our land, the Sto. Niño kept us
faithful to him”. It is such a symbol of Philippine history “because it
came with Magellan, became a native pagan idol, was reestablished as a
Christian icon by Legazpi, and has become so Filipino that native
legends annul its European origin by declaring it to have arisen in this
land and to have been of this land since time immemorial.
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In those unaccounted years, the Image became part of Cebuano life.
And this is probably why when asked about the Image, as it was found in
1565 by the Legazpi expedition in one of the village houses, the natives
refused to relate it to the gift of Magellan. They said it was there at
the beginning, since ancient times.
Writer Dr. Resil Mojares, also in a 1980 paper, said that the claim
of the 1565 Cebuanos that the Image was native and ancient in the land
was probably because they were afraid to admit that it was a Spanish
property or else it would be taken away from them.
The natives’ version of the origin of the Santo Niño is in the
“Agipo” (stump or driftwood) legend about magical driftwood caught in
the fishhook of an ancient native fisherman. Everytime he throw it away,
it reappeared until decided to keep it. Then, oi! The fish catch became
so plentiful for the fisherman that day. The agipo, brought to the
settlement, would later manifest its powers to the people – guard the
people’s harvest, protect them from pestilence.
Writer Mojares says this legend of the magical driftwood would only
be natural to the folk mind. “The folk mind cannot completely conceive
of a God that is manufactured in a workshop somewhere in a country
called Belgium but it can believe that a God can rise out of the sea and
bring on the rains by being submerged again in it.”
Thus, the unaccounted 44 years of the stay of the Image in the hands
of the natives is part of Philippine history. The Sto. Niño, as writer
Joaquin put it, “connected, he linked, he joined together our pagan and
our Christian culture; he belonging to both.”
Many years later in 1565, Juan de Camus, a mariner of the second
generation of Spanish Colonial campaign under Don Miguel Lopez de
Legazpi found inside a pine box an unscathed Image of the Santo Niño.
The adorable image believed to be of Belgian origin stands roughly at
30.48cm tall, wearing a loose velvet vestment, a gilded neck chain and a
woolen red hood. It is carved from wood and coated with paint. The
image holds a golden ball, a replica of the world in the left hand, and
the right hand is slightly raised as a gesture of blessing.
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Deeply impressed by this discovery, Camus presented the Image to
Legazpi and the Augustinian priests. They were so humbled by the
significance of the finding of the image that in solemnity, the image
was carried in a procession to a provisional chapel. Legazpi then
ordered the creation of the Confraternity of the Santo Niño de Cebu with
Fr. Andres de Urdaneta as its head. A devotee of the Child Jesus
himself, Legazpi installed a festivity in commemoration of the finding
of the Holy Image. Although the celebration still survives until today,
Pope Innocent XIII moved the celebration to the Third Sunday of January
so as not to conflict with the 40-day celebration of Easter.
Presently, the image is dressed like a royalty with its ornate
decorations, including a sash adorned with old Castilian coins and a
Toison de Oro (Golden Fleece) with a ram pendant reputedly given by King
Charles III in the 17th century, the image now stands in grandeur that
continues to captivate the hearts and souls of his fervent devotees.
Stories of the Miracles of the Señor Santo Niño spread like wildfire
in the Seas, placing Cebu as the Cradle of the Santo Niño devotion in
the Philippines. His devotion spanned to the nearby island-provinces of
the Visayas, then advanced to the north to as far as the Ilocandia and
reached down south in Mindanao.
The Basilica Minore del Santo Niño built on the very same spot where
the image was found on April 28, 1565, housed the statuette of the Santo
Niño. Originally made out of bamboo and mangrove palm, the Santo Niño
Church developed into a fortress where ardent devotees from all walks
converge for thanksgiving or supplication to the Child Jesus, whom they
have venerated through the centuries. With the increasing number of
devotees flocking the Church of Santo Niño, Pope Paul VI elevated its
rank as minor basilica with all rights and privileges accruing to such
conferment for the Quadricentennial celebration of Christianity in the
Philippines.
Numerous miracles have been wrought by the power of the Santo Niño.
It is said that a voluminous book is needed to contain all the
attestations and testimonials of the goodness and mercy of the Infant
Jesus of Cebu. Considered as the prime of all Christian relics in the
Philippines, the image of the Infant Jesus continues to shine as the
lodestar that attracts the hearts of the Filipino people.
Meanwhile, the Visayans continue to manifest affection with the Santo
Niño, who, not only during his feast day, but all year round.